The complete Melbourne buyer's guide to the marquise cut engagement ring — its history, its proportions, its setting styles, and why 2026 is the year it fully reclaims its rightful position at the pinnacle of fine jewellery.
Some ring shapes are perennially popular — the round brilliant, enduring by consensus; the oval, surging by moment. And then there is the marquise: a cut that has always been beautiful, always been commanding, and has spent the better part of three decades quietly waiting for fashion to catch up with it again.
That wait is over. The marquise diamond engagement ring in Melbourne is the design conversation happening in jewellery consultations across Collins Street in 2026. It is being requested by buyers who know exactly what they want — who have done the research, who understand the shape's particular technical demands, and who have decided that the elongated, pointed, historically magnificent marquise cut is the only ring that feels completely right.
This guide is the definitive Melbourne resource for that buyer. We will trace the marquise's history, decode its proportional requirements, explain the bowtie phenomenon clearly, detail the setting styles that best showcase its drama, show you which metal and stone combinations are defining the 2026 aesthetic, and place the whole conversation in the context of Melbourne's design-forward engagement ring market.
"The marquise was designed to flatter a woman's lips. In 2026, it flatters everything — her finger, her confidence, and her commitment to a ring that no one else in the room is wearing."
A Shape with Royal Origins and Three Centuries of Drama
The marquise cut's origin story is one of the most romantically specific in diamond history. By legend — and the legend is consistent enough to carry some credibility — the cut was commissioned by Louis XV of France in the mid-eighteenth century. The king wanted a diamond shaped to resemble the lips of his most celebrated mistress, Jeanne-Antoinette Poisson, the Marquise de Pompadour. Whether or not the story is entirely accurate, it tells us something true about the shape: it was always about beauty, elegance, and a certain kind of confidence. It was designed for someone who knew how to be seen.
The marquise cut found its first mass cultural moment in the art deco period of the 1920s, when its geometric pointed form aligned perfectly with the era's architectural sensibility. It resurged in the 1970s and 1980s alongside the broader fashion for large, dramatic gemstones — a period in which marquise engagement rings were among the most coveted choices in fine jewellery. Then the round brilliant's commercial dominance reasserted itself in the 1990s, and the marquise retreated from the mainstream.
The current revival — which our data shows began building in Melbourne from approximately 2021 and accelerated sharply in 2024–2026 — is different from previous waves in a crucial respect. It is not a trend imposed by fashion. It is a choice made by buyers who have actively surveyed the full range of available shapes, understood their respective qualities, and concluded that the marquise offers something the round brilliant and oval do not: a visual presence, an elongating effect, and a historical weight that no other shape combines so completely. According to the National Gallery of Victoria, historical jewellery in Melbourne's collections includes marquise and navette-form pieces spanning from the Georgian era through the art deco period — a heritage that Melbourne's jewellery buyers are drawing on, consciously or not, when they choose this shape in 2026.
The Data: Marquise Is Melbourne's Fastest-Growing Fancy Shape
Figure 1: Marquise Cut as Share of Non-Round Engagement Ring Enquiries — DG & Co. Melbourne, 2018–2026
|
Year |
Marquise Share of Non-Round Enquiries (each block ≈ 2%) |
|
|
|
2018 |
|
|
8% |
|
2019 |
|
|
10% |
|
2020 |
|
|
11% |
|
2021 |
|
|
14% |
|
2022 |
|
|
17% |
|
2023 |
|
|
21% |
|
2024 |
|
|
25% |
|
2025 |
|
|
28% |
|
2026* |
|
30%+ |
|
* 2026 estimated from H1 data. Share reflects marquise as percentage of all non-round fancy-shape enquiries at DG & Co. Melbourne. Oval enquiries are tracked separately as the dominant non-round category.
The trend is clear and the acceleration is recent. From a baseline of approximately 8% of non-round engagement ring enquiries in 2018, marquise now accounts for an estimated 30%+ of that category in 2026 — a nearly fourfold increase in eight years. The acceleration is particularly sharp after 2021, correlating with the broader fancy-shape revival, the influence of social media on jewellery aesthetics, and the growing availability of lab-grown marquise diamonds that make the shape accessible at lower price points.
What the chart also reveals is that the marquise's growth has been sustained rather than spiked — this is not a one-season moment but a structural shift in buyer preference that has been building over years. The buyers choosing a white gold marquise engagement ring australia in Melbourne in 2026 are not following a trend. They are arriving at a shape that the best-informed buyers have always known was exceptional.
The Anatomy of a Great Marquise: What to Look For
The marquise is one of the most technically demanding diamond cuts — and one where the difference between a great stone and a mediocre one is immediately visible on the hand. Understanding the key quality criteria before you shop is essential.
The Brilliant-Cut Foundation
The marquise is a brilliant-cut diamond — meaning its 57 or 58 facets are designed to maximise light return through scintillation (the flashing pattern of light and dark that creates "sparkle"). This puts it in the same optical performance family as the round brilliant and oval, and makes cut quality the most critical specification. A marquise with an Excellent or Very Good cut grade will have fire and brilliance comparable to a round brilliant. A poorly cut marquise will be dull regardless of its colour and clarity grades.
The Bowtie Effect: Understanding and Managing It
Every marquise diamond has a bowtie — a dark, bow-tie-shaped zone across the stone's centre caused by the observer's head blocking light return through the table facets at certain angles. The bowtie cannot be eliminated entirely, but it can be minimised through precise attention to pavilion angle, depth percentage, and length-to-width ratio. A minimal bowtie adds depth and character; a severe bowtie deadens the centre of the stone and reduces its beauty in daily wear.
The only reliable way to assess bowtie severity is to view the stone in person, under multiple lighting conditions. A stone that appears to have a manageable bowtie under jewellery store lighting may display a much more pronounced effect in natural daylight. At DG & Co. in Melbourne, every marquise stone is assessed for bowtie severity before it is presented to a client — this is a non-negotiable part of our quality standard for this cut.
The Girdle: Protection for the Tips
The marquise's two pointed tips are the shape's most distinctive feature — and its most vulnerable. The girdle (the thin edge of the diamond between the crown and pavilion) must not be too thin at the tips; an extremely thin girdle at the points is prone to chipping under impact. Conversely, a girdle that is too thick at the tips adds unnecessary weight without improving durability. Look for a girdle that thickens slightly toward the tips rather than remaining uniformly thin. Your jeweller should be able to confirm this from the stone's grading documentation or by examination.
Table 1: The Proportions Guide — Length-to-Width Ratios for Marquise Diamonds
The length-to-width ratio is the single most important specification for a marquise diamond after cut grade. Here is what each range delivers:
|
L:W Ratio |
Visual Profile |
Bowtie Risk |
Best Hand Type |
Melbourne Verdict |
|
1.50–1.60 |
Short, wide — oval-adjacent |
Low |
Shorter, wider fingers |
Too wide for classic marquise character |
|
1.65–1.75 |
Balanced, gently dramatic |
Low–Moderate |
Most hand types |
✔ Sweet spot for most buyers |
|
1.75–1.90 |
Classic marquise — ideal range |
Moderate |
Average to long fingers |
✔✔ The Melbourne favourite |
|
1.90–2.10 |
Strongly elongated, high fashion |
Moderate–High |
Long, slender fingers |
Striking; requires confident wear |
|
2.10+ |
Extreme — avant-garde only |
High |
Very long fingers |
Specialist choice; bowtie likely |
The 1.75–1.90 range is considered the traditional sweet spot and accounts for the majority of marquise enquiries at DG & Co. Melbourne. Optimal proportions also include table % of 53–63%, depth % of 58–68%, and culet of none or pointed. View in person before committing to any specific L:W ratio.
The Optical Carat Advantage
A marquise diamond appears significantly larger than a round brilliant of identical carat weight — typically 15–25% larger in visual footprint, depending on the L:W ratio. A 1.00ct marquise in the 1.75–1.90 range will look like a 1.20–1.30ct round brilliant on the finger. This optical generosity makes the marquise one of the most value-efficient choices available: you get more visual impact per dollar than almost any other brilliant cut.
FAQ #1: Is a marquise diamond good for everyday wear, or is it too delicate?
With the right setting, a marquise diamond is entirely appropriate for daily wear — and Melbourne jewellers who know the cut understand exactly how to set it for longevity. The key is V-tip prongs: these cradle each pointed end of the diamond in a V-shaped metal cup that protects the tip from impact while allowing the full length of the stone to remain visible. Avoid settings where the tips are left fully exposed without prong protection. Beyond prong choice, we recommend removing the ring before any activity involving significant hand impact, and having the prongs professionally inspected every 12–18 months to ensure the V-tips have not bent or worn. With these precautions, a marquise ring is as wearable as any other — and significantly more distinctive. The shape has been worn daily by women for over two centuries; it is made for the real world, not only for special occasions.
Setting Styles: The Choices That Define the Ring
The marquise's distinctive silhouette interacts with setting styles in ways that are particular to the shape. Here is the complete guide:
|
Setting Style |
Orientation |
Suitability |
Why It Works |
|
6-prong V-tip solitaire |
N–S |
✔✔✔ Excellent |
Timeless; V-tips protect pointed ends; maximises light entry; showcases elongation best |
|
4-prong V-tip solitaire |
N–S |
✔✔✔ Excellent |
More stone visibility; slightly higher risk to tips than 6-prong; clean and minimal |
|
Full bezel solitaire |
N–S or E–W |
✔✔ Very Good |
Maximum tip protection; modern aesthetic; slightly reduces visible length |
|
East–west bezel |
E–W |
✔✔✔ Excellent |
Boldly contemporary; horizontal sweep across finger; Melbourne's most-requested modern marquise look |
|
Halo (round brilliant) |
N–S |
✔✔✔ Excellent |
Amplifies apparent size; reduces bowtie visibility; adds romantic, brilliant framing |
|
Three-stone (marquise sides) |
N–S |
✔✔✔ Excellent |
Perfectly symmetrical; past-present-future symbolism; elongation compounded by side stones |
|
Side-stone pavé shank |
N–S |
✔✔ Very Good |
Sparkle along band echoes centre stone; elongated look amplified; very popular in Melbourne |
|
Cathedral setting |
N–S |
✔✔ Very Good |
Elevated centre stone; dramatic profile from the side; Victorian/Edwardian aesthetic |
|
Tension setting |
N–S |
✔ Moderate |
Striking visual effect; high-risk at pointed tips; strictly specialist only |
V-Tip Prongs: The Non-Negotiable
Whatever setting style you choose, V-tip prongs at the marquise's pointed ends are the most important structural decision in the ring. They protect the tips — the shape's most vulnerable point — without obscuring the stone's characteristic silhouette. At DG & Co. on Collins Street, every marquise solitaire we make uses precision V-tip prongs as standard. This is not an optional upgrade; it is the craft standard that any professional melbourne jewellers collins street specialist should maintain as a baseline for this cut.
The East–West Setting: Melbourne's 2026 Favourite
The east–west marquise setting — where the stone is oriented horizontally across the finger rather than vertically — has become the defining marquise aesthetic in Melbourne's design-forward jewellery community in 2026. It creates a horizontal architectural element on the hand that is immediately striking, makes the stone's width (rather than its length) the primary visual feature, and pairs particularly well with a bezel setting that protects the tips while emphasising the stone's geometry.
An east–west marquise in a full yellow gold bezel, or in a minimal platinum partial bezel, is among the most requested configurations in our Melbourne workshop this year. It is a setting that feels completely of its moment — and will feel completely itself for decades, because it is based on the stone's inherent form rather than on any specific fashion.
The Three-Stone Marquise
A three stone engagement ring melbourne configuration with a marquise centre stone and two matching marquise or pear-cut side stones is one of the most visually cohesive designs available for this shape. When the side stones are precisely selected to complement the centre — matching the centre's L:W ratio character, sized to create balanced proportional relationship — the result has an extraordinary visual logic: the three elongated forms creating a unified horizontal sweep across the hand. This is a design that rewards the detail-oriented buyer and repays close attention.
The Halo Setting
A halo of round brilliant-cut diamonds encircling a marquise centre stone does several things simultaneously: it amplifies the apparent size of the centre stone, it softens the visual transition from the stone's pointed tips to the band, it reduces the visual impact of any bowtie effect by adding brilliance around the stone's perimeter, and it creates a romantic, elaborate appearance that suits the marquise's historical character. The halo marquise is particularly popular among buyers drawn to the vintage-inspired aesthetic — the combination of the marquise's eighteenth-century origins and the halo's art-deco associations creates a piece with considerable historical depth.
Table 2: Marquise vs Other Elongated Fancy Shapes
For buyers choosing between the marquise and other elongated shapes, the comparison below provides the clearest framework:
|
Factor |
Marquise |
Oval |
Pear |
Elongated Cushion |
|
Visual elongation |
Maximum |
High |
High (tapered) |
Moderate |
|
Bowtie risk |
Moderate |
Moderate |
Moderate |
Low |
|
Tip vulnerability |
High (×2) |
None |
High (×1) |
None |
|
Historical origin |
Georgian era |
Multi-era |
Georgian era |
Modern |
|
Optical size vs carat |
130–140% |
115–125% |
115–125% |
100–110% |
|
Setting complexity |
Moderate–High |
Low–Moderate |
Moderate |
Low |
|
Melbourne popularity 2026 |
★★★★★ |
★★★★★ |
★★★★☆ |
★★★☆☆ |
|
Best orientation |
N–S or E–W |
N–S |
N–S |
N–S |
|
Character / distinctiveness |
Very High |
High |
High |
Moderate |
Popularity ratings reflect DG & Co. Melbourne enquiry data, 2026. Optical size percentage indicates approximate visual size relative to actual carat weight compared to a round brilliant of the same carat. All ratings are indicative and depend on specific stone proportions and cut quality.
The comparison makes clear that the marquise offers the strongest visual elongation of any commonly available fancy shape — and pairs that elongation with a level of distinctiveness and historical character that the oval, for all its current popularity, cannot quite match. The trade-off is the tip vulnerability that requires V-tip prong protection and more attentive daily care. For buyers who understand and accept that trade-off, the marquise is an unambiguous choice.
FAQ #2: Which finger type suits the marquise cut best?
The marquise's elongating effect is most dramatically flattering on shorter or wider fingers — where the stone's vertical sweep creates the impression of a longer, more slender finger. On a wide finger set with a round brilliant, the stone sits wide and round; set with a marquise, the same finger appears significantly more elegant. On average-length fingers, the marquise works beautifully in both north–south and east–west orientations, with the N–S orientation providing maximum elongation and the E–W creating a bold horizontal statement. On very long, slender fingers, the marquise is also beautiful — though the elongating benefit is less dramatic, since the finger is already elegant without assistance. The one configuration we sometimes caution against for very short fingers is an extremely wide L:W ratio (1.50–1.65) in the east–west orientation, which can emphasise width rather than elongation. For most hands, the 1.75–1.90 N–S configuration is universally flattering. The best way to assess is to try stones of different ratios on the actual hand in a consultation — which is exactly what our Melbourne team facilitates.
Metal Choices for the Marquise: How Metal Transforms the Aesthetic
The marquise's bold geometric form interacts with metal choices in ways that are worth thinking through deliberately.
White Gold and Platinum: The Contemporary Standard
White metal — platinum or rhodium-plated white gold — is the most popular setting choice for Melbourne marquise engagement rings in 2026, and it suits the shape's clean geometric character beautifully. The cool neutrality of white metal allows the diamond's own colour and light performance to dominate, and creates the crisp, architectural look that the east–west marquise configuration particularly suits. For white gold settings, periodic rhodium plating maintains the bright finish as the plating naturally wears over time. Platinum requires no plating — it is naturally white and develops a beautiful patina with age.
Yellow Gold: The Historical Comeback
The marquise's original setting metal — yellow gold was the dominant fine jewellery metal from the Georgian era through the early twentieth century — is experiencing its strongest resurgence in Melbourne in decades. A diamond in gold setting for a marquise diamond brings warmth and historical resonance that white metal cannot replicate. Marquise stones in the H–I colour range look particularly beautiful in yellow gold settings, as the warm metal flatters the stone's slight warmth and creates a coherent tonal story across stone and setting.
Two-Tone Settings
Two-tone marquise settings — a yellow gold band with white gold or platinum prongs — are a technically informed choice that has grown in popularity in Melbourne. The yellow gold band carries the warmth and historical character; the white metal prongs avoid casting yellow reflections into the diamond. It is a subtle distinction that makes a real visual difference, particularly for D–F colour stones where any colour cast from the prongs would be immediately visible.
Lab-Grown Marquise Diamonds: Value Without Compromise
The lab-grown diamond market has transformed the marquise's accessibility at the Melbourne market's mid-range price point. A lab-grown marquise diamond of identical specification to a natural stone — same cut grade, same colour, same clarity, same physical and optical properties — costs approximately 50–70% less. For a shape where carat weight contributes significantly to visual impact, this price difference is transformative.
A 1.50ct natural marquise of F colour and VS1 clarity might cost approximately AUD $10,000–$14,000 for the stone alone in the Melbourne market. A lab-grown stone of identical specification costs approximately AUD $2,500–$3,500. Both stones are real diamonds — the same carbon crystal structure, the same hardness, the same brilliance. The difference is origin and price. For the buyer who wants the marquise's extraordinary visual presence without the mined-diamond price tag, lab-grown is an unambiguous value proposition. For the full pricing context, our diamond rings melbourne prices guide provides the most comprehensive and current breakdown of marquise pricing across natural and lab-grown categories.
It is worth noting what lab-grown marquise diamonds are not, for buyers who encounter alternatives during their research. natural moissanite — silicon carbide, not diamond — is available in marquise cut and has its own beauty. But it has a higher refractive index than diamond that produces a distinctive "rainbow" dispersion, and it is not a diamond. Lab-grown marquise diamond is physically and optically identical to a natural one. Moissanite is a different material, with a different optical character, at a different price point. Know which you are choosing before you commit.
The Marquise at DG & Co. Melbourne: What We Make and Why
DG & Co. on Collins Street approaches every marquise commission with the understanding that this shape, more than most, demands genuine jewellery expertise. The cut's technical requirements — the V-tip prong configuration, the bowtie assessment, the L:W ratio selection for a specific hand and aesthetic — are not details that can be improvised. They are decisions that require experience with this specific shape in the Melbourne market, and knowledge of what has worked and what has not across hundreds of commissions.
Our marquise collection spans the full range of what the shape can offer. For the buyer drawn to classical elegance: a round brilliant halo around a 1.75:1 marquise in platinum, with a pavé shank that catches light at every angle. For the design-forward buyer who wants something that will stop conversation: an east–west marquise in a yellow gold full bezel, wide enough to be visible from across the table, minimal enough to wear with anything. For the symbolically inclined buyer: a three-stone marquise with perfectly matched side stones, each element in conversation with the others.
Our custom engagement rings melbourne service is the fullest expression of what the marquise makes possible. Every dimension of the commission is specified to the individual buyer's brief: the stone's specific L:W ratio, the prong count and configuration, the band profile and width, the surface finish, the metal choice. The result is a ring that has been designed for this stone, this hand, this person — and that could not be confused with any ready-made ring in any collection anywhere.
The diamond ring creator tool is a useful starting point for buyers who want to explore marquise setting options before their consultation — pairing different stone orientations with different setting styles and metal choices, and arriving at the conversation with a clear visual direction already established.
The Complete Marquise Jewellery Picture
A marquise engagement ring is the beginning of a jewellery story — and thinking about the complete picture from the outset produces a more coherent collection over time.
The Wedding Band: The Fitting Challenge
The marquise's pointed tips mean that a standard flat wedding band cannot sit flush against the engagement ring's sides — the tips prevent full contact. The solution is a shaped or contoured band, designed to curve around the marquise's profile and nestle against the engagement ring's shoulders. At DG & Co., we design both pieces simultaneously wherever possible, ensuring the band and engagement ring are conceived as a pair from the outset. A wedding set designed as a matched pair for the marquise cut is always more satisfying than a band sourced separately — and significantly less likely to result in the frustrating "almost fits" that comes from mismatched ring profiles.
The partner's ring presents its own opportunity for considered pairing. A platinum band wedding ring in the same metal as the marquise engagement ring's setting creates tonal coherence across both partners' jewellery. For couples whose engagement ring is yellow gold, a matching yellow gold band creates a warm, historically resonant pair.
Building the Collection Over Time
Over time, companion pieces build around the marquise engagement ring. eternity band settings gifted on anniversaries — in marquise-compatible contoured settings — add to the story without competing with it. gemstone wedding bands introduce colour into the collection: a sapphire or emerald band alongside a white marquise engagement ring creates a juxtaposition of colour and form that is both contemporary and historically grounded.
For buyers drawn to coloured stone options alongside or instead of white diamonds, a tanzanite for engagement ring in marquise cut — with tanzanite's extraordinary blue-violet depth amplified by the shape's elongating form — is one of the most dramatic configurations available in Melbourne. A white gold aquamarine ring in marquise cut, with the stone's sea-blue transparency maximised by the shape's clear facet arrangement, creates something altogether different — ethereal and deeply romantic.
A 9ct gold locket bracelet gifted alongside the proposal ring — particularly where the marquise is presented with a personal note about what the shape's history and character mean — adds intimacy to the moment and a wrist piece to the collection that carries the same warmth as a yellow gold marquise setting.
The Marquise at Every Budget
The marquise's optical generosity — its ability to appear larger than its actual carat weight — makes it one of the most value-efficient fancy shapes for budget-conscious buyers. Even a modest stone in a beautifully made setting creates a ring with genuine presence. Our cheap proposal ring collection includes marquise options that deliver the shape's characteristic elongation and drama at accessible price points. The marquise is not only for high budgets; it is for anyone who wants a ring that makes every finger look its most beautiful.
For buyers exploring the full ring picture — including the question of is engagement ring and wedding ring the same (a common and completely understandable question, with a detailed answer on our journal) — planning both pieces at the same time ensures the marquise engagement ring's band-fitting requirements are addressed from the outset rather than as an afterthought.
Our full range of ring style options provides the complete context for where the marquise sits within the broader world of engagement ring design — from classical solitaires to elaborate halo configurations, from east–west modern to north–south traditional. Understanding the full landscape before committing to any single configuration is always time well spent.
The Marquise in Context: Related Rings Worth Considering
For buyers drawn to the marquise's elongating character who are not yet certain it is the right choice, the stone oval cut in a vintage three-stone configuration offers a different kind of elongation — softer, more universally wearable, with no tip vulnerability. Viewing both side by side on the hand is the most reliable way to understand which kind of elongation feels right.
For buyers who want the marquise's drama with a side-stone configuration, a diamond engagement ring with side stones design where the marquise centre is flanked by brilliant-cut pavé adds sparkle to the shank that echoes the centre stone's brilliance without competing with its distinctive silhouette.
And for buyers at the most ambitious end of the engagement ring market — for whom the marquise is one option in a considered survey of the finest available choices — our three carat emerald cut diamond ring in 18ct yellow gold demonstrates the level of craft that DG & Co. brings to every commission. The same hands that made that piece are the ones that will make a marquise ring with equivalent care, equivalent precision, and equivalent commitment to excellence.
Aftercare: Keeping Your Marquise Ring at Its Best
A marquise ring's distinctive pointed tips are its most characterful feature and its most maintenance-requiring one. Here is what the aftercare picture looks like.
Prong inspection is the most important maintenance task. Have a jeweller check the V-tip prongs every 12–18 months, and have them re-tipped whenever any wear is visible. A worn V-tip prong that is not addressed can lead to the tip of the diamond becoming exposed and vulnerable — the one condition that can lead to chipping in this shape. Our jewellery remodel service handles more extensive structural restoration for marquise rings that have been worn for years without adequate prong maintenance — it is always better to address prong wear before it becomes a stone-security issue.
Regular professional cleaning keeps the stone's facets at their most brilliant and allows the jeweller to assess prong condition at the same time. For white gold settings, rhodium re-plating on the schedule appropriate to the ring's wear pattern maintains the setting's bright appearance. For yellow gold settings, occasional polishing restores the metal's warmth without structural intervention.
FAQ #3: Should I choose a natural or lab-grown marquise diamond?
Both are real diamonds — physically, chemically, and optically identical. The choice comes down to budget, values, and intended use. If budget is a consideration and visual impact is the priority, lab-grown gives you significantly more carat weight for the same spend — which, for a shape where visual presence is a key part of the appeal, is a meaningful advantage. If provenance and the natural origin of the stone matter to you — if there is something important to you about wearing a stone formed over billions of years beneath the Earth's surface — a natural marquise carries that dimension in a way a lab-grown stone does not. Neither position is more rational than the other; they reflect different values, both of which are entirely legitimate. What we do not recommend is treating the choice casually — this is a stone you will wear every day for the rest of your life, and understanding what you are choosing and why is part of making the right decision. At DG & Co., we present both options transparently, with full documentation of origin and specification, and we help you understand exactly what each choice involves.
The Marquise's Moment Is Now
The marquise cut has always been one of the finest shapes in diamond jewellery. It has always elongated. It has always commanded attention. It has always carried a history that round brilliants and oval cuts simply cannot match. What 2026 has provided is a cultural moment when the mainstream has caught up with what the most design-forward Melbourne buyers have known for years.
This is not a trend that will have passed by the time your ring is made. The marquise's revival is driven by structural factors — the growth of design literacy, the influence of visual platforms, the accessibility of lab-grown stones at larger carat weights — that will not reverse. The buyers choosing marquise rings in Melbourne in 2026 are making decisions that will look excellent in 2046.
If this shape has been in your imagination — if you have been drawn to that silhouette and wondering whether the moment is right — the answer is simply: yes. Come and see it in person. Let a Melbourne jeweller who knows this shape show you what it does on a real hand, in real light, set the way it deserves to be set. That experience will tell you everything the internet cannot.
— DG & Co. Jewellery | Collins Street, Melbourne | Melbourne's Marquise Diamond Specialists